Tag Archives: recycle

“One-a-Day” Recycling Challenge – Day 28: Love Hearts

Once again I am apologising for not getting this post written and uploaded the same day I made the jewellery.  I have a good excuse though (honest!) – one giant, monster of a headache which arrived on Sunday afternoon. .  This made working with the computer just impossible, and it’s still pretty painful to look at the screen tonight (yes, it’s still here; and boy, do my eyes hurt).

Sunday was also my wedding anniversary (13 years!) and so I decided to make something romantic.

Deciding again not to solder or torch PMC (the fumes hurt my head); I trawled through my PMC fine silver pieces that had already been fired, to see what I had lurking about.  I found a pretty heart with an embossed texture and a slightly defective bezel, as well as a more modern and much smaller heart which I had started to gold-leaf but hadn’t got very far with it.  I wanted a third heart (it’s not often you get to say that!), but didn’t have a silver one that was just right, so a Swarovski® crystal 10mm heart in Moonlight Crystal seemed a good choice.

Today, I’ve been inspired with those “topsy-turvy” cakes with each layer at a different angle and looking like the whole thing is about to fall over.  For this look, the three hearts were first placed flat on my micro-fibre mat (very soft, so no scratching of silver or crystal, and nothing rolls about) so that they looked “topsy-turvy”; and then to make sure the holes were drilled in the right place, a straight piece of wire was laid down the centre of the design (a ruler, strip of paper or any other straight item to hand would have done, but I prefer wire as it’s light and doesn’t hide any of the design so you get a good idea of what it will look like) and then the right places were marked with a permanent marker.

Before drilling, indents were made by hammering a sharpened nail where I had marked – this would help the drill bit stay in the right place and not “chatter”, which is where it skips across the surface.  I find it essential as I mostly use a tiny pin vice and do the drilling by hand.

The largest heart had a plain-walled bezel which I had previously set a gem into but the gem was slightly too small and had to be removed as it didn’t fit the setting tight enough.  To make the bezel usable again, the walls were straightened from the inside using a metal burnisher to push the silver outwards; and then the base (which the gem would sit on) was drilled a bit deeper and smoothed out.

I have some beautiful cabochon moonstones and I found one which was the right diameter and which the bezel would fit round tightly.  This was then set with a pusher and burnisher.

The two PMC fine silver hearts were given a bit of a patina with black gilder’s wax.  I wanted the effect to be aged rather than uniform and, although the black didn’t come out on the photo as dark as it is in real life, I think it worked pretty well.  The highest points were re-polished to a mirror-shine, and a coating of Renaissance Wax was applied to seal and protect.

The silver hearts were connected with a jump-ring, and the crystal heart used a round head pin as a bail to attach it to the smaller silver heart.  The pin was threaded through the hole at the top of the heart, with the ball-end at the front.  The wire was gently (the crystal is more delicate than it looks, especially when using metal tools) curled around from the back and then bent so that the wire went straight upwards.  A loop was formed at the top and this was threaded through the lower hole in the smaller heart, so the crystal heart would hang nicely with some movement.

PMC fine silver hearts with swarovski crystal heart

I didn’t want a traditional bail for the necklace, so I formed a loop in a middle of some silver wire and threaded it through the top hole in the largest heart.  Then, taking a thin jump-ring former, the wire was coiled either side and the excess wire trimmed off from the back.

I think the unusual angles of the hearts give it interest and movement.  I may just have to go make a pair of earrings to match!

Oh, just to say, Day 29 will have to be written up with Day 30 – as it’s after midnight and now I’m going to see if I can go sleep this headache away.

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“One-a-Day” Recycling Challenge – Day 27: Birthday Present

Wow, Day 27 already?  Where has the time gone?

Talking of time – apologies for the lateness of this post (it’s already half past midnight) but it’s been a busy day with both creating jewellery and going with my little girl to a birthday party at the local play-barn.

Today I wondered that when I talk or write about making things from scrap or recycled materials (even if they are precious metals), do those phrases bring to mind rubbish or even that the end product is sub-standard in some way?  It’s so hard to get beyond those concepts when recycling is part of the discussion; as if something that is reused or recycled has to be flawed in some way or that it’s previous life has to be hidden to value the new item in any way.

I suppose this came to mind more today because I was making a birthday present for a little girl and I wanted to include it in this challenge.  I didn’t need to – I could have made her something from new silver sheet or wire, but I really believe in not wasting precious resources and all my silver is the same (well, either pure or sterling, anyway), even if it has been made into something else before.

The elements that I wanted to re-use were some pure silver PMC3* pieces, which were either testers or were reclaimed from other jewellery I had previously made (and then taken apart again – artist’s prerogative).  Luckily, I had made a tester of the right initial for the little girl’s name and it was sitting, waiting, in my box of misc. fired PMC pieces.  Looking through the box, I also found some stars of different sizes and took two – one big and one small.

I really dislike the phrase “on-trend” – it’s overused everywhere these days.  Well, something that seems on-trend (*winces*) in jewellery at the moment is chain necklaces with a drop of chain at the front with charms hanging from it – very bohemian, but with a chic style that could go well with a little black dress or a smart work suit.  It also seemed a fun and light necklace for a little girl’s jewellery box – something special but not too grown up (children should be children, in my book) that she could grow into.

Checking my box of chains (wow, that doesn’t sound *quite* as it should!), by now you’ll have realised that I keep all my materials grouped by colour or type in compartmented boxes , I found a small section of good quality silver belcher chain and some jump-rings of different sizes (although I don’t know why they were in there, my putting away must have been off that day!).  Looking at all the pieces, a design was sketched out and then off to the bench to put it all together.

I added all the pieces together with the jump-rings, which were then soldered closed carefully so as not to solder the jump-ring to anything else except itself – easier said than done!  A pair of locking tweezers, holding the jump-ring about mid-way, were very helpful in acting as a heat sink and stopping the solder travelling past the join and onto anything else.  A larger jump-ring (in a wider gauge wire) was attached to the top of the chain to act as a bail, and was also soldered closed.

As chain is notoriously hard (and dangerous) to polish with a rotary motor – the chain went into the tumbler, alongside the head-pin which I would use for the last dangle off the chain.  This would work-harden the silver, making it more hard-wearing, as well as giving it a mirror-shine.

After tumbling, I added the last dangle – a single freshwater pearl.  I believe that the pearl is the oldest known gem and was originally seen as the most valuable.  The story I like best about pearls, is that they are formed by angels travelling through the clouds of heaven.  A perfect gem for a little girl, I think.

(Sorry for how the pearl looks in the photo – I don’t seem to be able to take a good photo of pearls – it’s another thing for me still to learn)

Oh, see how time flies when posting?  It’s now 1:20 am and I think I’d better show you the necklace now before I go and collapse after this tiring day.  Well, here it is – and don’t tell me that it doesn’t look perfectly beautiful, even more so because I re-used and recycled.

 

 

 

 

*Precious Metal Clay is pure silver, which has itself been recycled, in an organic clay binder which can be moulded or worked like clay but when fired at the right temperature, will turn back into pure silver with the binder burning away totally

“One-a-Day” Recycling Challenge – Day 24: Back to the Beginning Dragonfly

The “back to the beginning” in the title is a reference to where I started with jewellery.  A pair of round-nosed pliers, a pair of snipe-nosed pliers and some wire-cutters rattled around in my first tool-box and I worked with silver-plated wire and crystal beads from a well-known hobby store (in the UK).

That was about five years ago and my first pieces were wire-wrapped earrings.  I soon progressed to sterling silver wire and semi-precious stones, but it wasn’t until I got my blow-torch  that I really started to broaden both my skills and designs.  (I had learned to solder and arc-weld at college w-a-a-a-y back in my youth as an art student.)

The reason I’m in the reminiscing mood is because I’ve had to put down my torch for today.  My little girl is a bit under the weather and we’ve had a lovely day doing nothing-much but watching films and playing Lego Rock-band.  Not wanting to disappear to my bench, I decided to make something while we sat watching another Scooby Doo film.

That meant that I could only use enough stuff that I could sit on a tray on my lap and only cold-connections.  I’ve got some lengths of gold-filled (better than gold-plated as it’s got thicker layers of gold and is more resistant to polishing and general wear & tear) round wire that I’ve not really found much use for (it can be really hard to solder without the gold fading by being absorbed into the core metal).  Well, I’ve had an idea for a dragonfly brooch for a while and so today seemed a great day to try it out.

I found a picture of a dragonfly that I liked:

I sketched it out on paper and decided on how the wire would have to be wrapped together to make the shape.  Then I got my first piece of wire and made the first loop (for right at the top, so it could be a pendant as well as a brooch if needed).

All the crystals used were either Swarovski® or Czech crystal beads.  I used two black ones for eyes and Light Sapphire for the body with the “tail”  in Metallic Crystal Blue ABx2 (twice coated in the Aurora Borealis finish, which gives the crystals a multi-coloured sheen), and the wings in a mix of AB crystal in different sizes/shapes.

The main outline, including the wings and legs, was made first out of 0.8mm gold-filled round wire.  Then the eyes, body and “tail” were beaded.  I added a brooch fitting (sadly in a base metal, as I didn’t have any other and wasn’t going to make a brooch pin as I wasn’t soldering today) and wound the wire round to secure it.

I didn’t totally fill the wings with beads – I liked the lacy look came with having spaces in-between the beads.

This piece turned out bigger than I actually had expected.  It measures approximately 7.5cm across the wings and 7cm from head to tail.

It reminded me of how difficult I found this type of jewellery – I find it really hard to make the wire-wrapping neat, and tight against the wire.  I’ve always had respect for those who can make beautiful things without being able to solder or rivet; but today has reminded me that I shouldn’t neglect to refine all my learned jewellery techniques and still strive to learn more – as they are all facets of this craft that I love.

Update:  I’m so sorry that this didn’t make it onto the blog yesterday (when I wrote it), I thought I had posted it but only noticed that I hadn’t when I came to write today’s post.

“One-a-Day” Recycling Challenge – Day 21: Fluttering in the Dark

I mentioned in my last post that we’d had a visit from my Cousin Adelene and her husband, Jon.  They have a business called Anglian Lepidopterist Supplies UK which I know is do to with moths and butterflies (and bats too, I think).  When they were here, they suggested I make a piece of jewellery like a moth – and as I had more time today to make something, that’s exactly what I did.

I’ve had a small piece of silver in my scrap box for a while – it was originally thick  silver wire but I had hammered it flat for some reason (I’m sure I was trying to see what I could do with a hammer instead of using a rolling mill – sadly, because I don’t have a rolling mill yet…).  Anyway, this little odd piece of silver was just perfect for the body/head of the moth.  I filed a notch in either side to delineate the head from the body and rounded both ends (it was already tapered at one end).

The wings I made from copper sheet.  I looked in a book for a picture of a moth and drew something similar (okay, it didn’t turn out a perfect moth, it’s more of an impression of a moth) onto paper.  The finished piece would be about 5 x 2cm.  The basic wing shapes were cut out with a scalpel and the outlines were traced onto the copper sheet with permanent marker (I do normally prefer scribing my cutting lines but, sometimes if the metal is really shiny, the lines can be hard to see), then cut out with tin-snips.

After a bit of filing to get all the edges smooth; I soldered the bottom wings on first and then soldered the top ones, overlaying them on the bottom wings slightly.  At this point I had cut small pieces of silver wire for legs but then decided to make this a brooch and needed room for the brooch pin.  Also, having legs on the moth would have been at best, a good detail but hidden – and at worst, a nuisance and snagging hazard.

The antenna turned out to be problem enough.  First, I used a single piece of silver wire bent in the middle but this didn’t lay flat and wouldn’t solder to the head – the solder kept to the wire as I couldn’t get the head to the same temperature without risking melting the solder on the wings.  I got round this with sweat soldering the solder to a couple of cut-off head-pins and then soldering these to the head.  It seemed that two ends of wire was easier to solder than a length of wire which I wanted to solder in the middle (I also think that the heat dissipated along the length of the long wire which didn’t help).

I now put the moth in the pickle and then (after neutralising the acid on the piece by dunking it into a solution of bicarbonate of soda) filed off any excess silver solder from the copper wings.  A good deal of polishing later (to get rid of any grooves that were added when I filed off the excess solder) and it was ready to patina.

If you’ve ever heated up something with a torch (or used a copper pan on the stove) – you’ll have noticed that there is a colour change in the metal when it is heated.  To get the patina I wanted, I heated the moth very slowly with a soft flame (less oxygen and less gas than a flame for soldering) and watched as  the metal’s colour changed from it’s polished coppery-gold, through orange, red and then it started to just turn bluish in places.  Copper continues to change colour, even after the heat is taken away and until it’s cooled.  As I didn’t want it to become totally blue or black, I removed turned off the torch and (picking up with tongs) placed the moth on a cool soldering board (the one I had used when heating the moth would still hold some heat for a while and would help continue the colour change).  As it air-cooled, the patina showed as a beautiful bronze with blue -green areas.

A quick polish of the silver areas to get rid of any fire-scale colouring and then a wipe-over with Renaissance Wax to seal the colour, and to protect the wearer from going green!  The wax is wonderful but the colours do dull a little – not a problem here as I didn’t want my moth to look too colourful.

As an after-thought, I decided to curve the wings a little bit to give the moth a bit more interest.  I did this by holding each side of the moth, in turn, on my doming block and pressing the wings into the curve with my fingers.  It didn’t damage the finish and looked quite effective.

I name this moth the Clifton Copper-wing!

“One-a-Day” Recycling Challenge – Day 20: Sometimes Nothing Goes Right For a Bit

This post is a day late – but, I did make the piece of jewellery yesterday (honest!)

This weekend has been a lovely one for me.  My cousin, Adelene and her husband came over to stay on Saturday and we had a great afternoon & evening.  Still, I am committed (so apt!) to this challenge and disappeared into my workspace (which was freezing at 9pm) to hopefully create something pretty.

Well, we’d opened a bottle of wine at dinner and even though I’d only had one or two (small) glasses, I didn’t want to be soldering or near chemicals after having alcohol.  That didn’t leave me much to start with (also because I was feeling rather tired and worn out, I was having trouble thinking of what to do).  Everything I picked up and tried to work with was a disaster (things broke or bent in the wrong place or just looked awful) – and I was getting really cold now. Deciding not to freeze by being at my bench for too long, I picked up a silver hoop earring that I’ve had since I was in my twenties.  When I had the pair, I used to wear them out clubbing – until I decided that hoops really weren’t the right look for me, especially ones which are about 5cm across (about 2 inches, I think).

I had an idea to make this lone earring back to being useful again, and decided to make it into a brooch.  The earring is made up of silver tubing and has a curved pin at the top.  One side, the pin was hinged and the other side had the pin going into the open end of the tubing and holding in place with friction only.  This wouldn’t do for a brooch, as it comes under more stress and strain than an earring – so I cut a notch in one side of the tubing at the top (that went right through one side of the tubing) and bent the end of the pin slightly so that when it went into the tubing, it would catch there.  I also had to sharpen the pin so that it would go through clothing smoothly.

I had an idea to use some dangles (something that hangs from the piece and normally swings freely) and have fine chain looping down between them.  This was good in theory, but when I made my dangles (head-pins with black & white crystals and a loop at the top to attach to the earring) they all bunched together at the bottom – not the effect I was going for.  This meant that I would need to make sure that the loops round the earring would stay where I wanted them – I could have soldered jump rings round the bottom of the earring and hung the dangles from them, but I wasn’t soldering and so I needed to come up with another solution.

The easiest solution was to drill holes along the bottom of the earring and hook the dangles through.  In the end, I went with a combination of most dangles being through drilled holes and a couple just with their top loops round the earring itself.

I added the chain to each dangle as I made it – it would have fiddly and unnecessary work to add it on afterwards.  After I had added all the dangles, I put a couple of crystal drops hanging off the chain (which pulled the chain down nicely in a couple of places as well as elongating the design) and I was finished.

Okay, it’s not my most inspiring piece of jewellery; but it was good to do some problem solving and also not being able to fall back on the “I’ll just solder it” solution.

brooch shown being worn

“One-a-Day” Recycling Challenge – Day 19: Learning Something New Everyday

Today, I found a piece of 2mm round sterling silver wire that had tucked itself behind my tool holder on my workbench.  At 6cm long it’s not strictly scrap, but I can’t actually remember what I originally cut it to size for and by using it, it gives me a chance to try a technique I’ve been itching to do for ages.

I’ve got a couple of great technique books by Stephen O’Keeffe (I can’t recommend them highly enough if you want to do make some jewellery for the first time or just want to learn some new techniques), and today’s piece is from one of them (Practical Jewellery-Making Techniques: Problem Solving).

The technique I wanted to try out is making a compression setting for a stone in a ring.   The book made it sound so easy: solder a length of 2mm wire into a ring and planish (hardening the metal and creating a surface texture) before sawing through the original join with a piercing saw (it would weaken the ring if I sawed through at any other point – doing it this way keeps the rings integrity and strength which is needed with this ring).

The next part was to open the ring sideways to be able to drill into the flat ends. Well, so far, so good – but here’s where things went a little off from the instructions.  I don’t have a chuck for my rotary drill that’s small enough for the 1mm drill bit – I use a pin vice or Archimedes drill – and so I need to make a dent in the wire to help the drill bit bite in the right place.  For this, I use a nail that has been sharpened to a good point which works as a pretty good punch.  Trying to get it dead centre on a 2mm diameter wire isn’t as easy as it looks, and then trying to get the drill to stay in the centre isn’t easy either.  Well, both holes were mostly in the centre, and it probably doesn’t show in the finished product, but the perfectionist in me did a bit of silent swearing at this point.

Not to be put off, I then shaped the ring back on the mandrel and made sure that the tension was right, that it would spring back to shape if pulled slightly apart.  I did have to make the ring slightly oval in shape, rather than round, because the stone is a marquise cut CZ and the gap needed to be larger.  This is where I wish I had an oval mandrel as well as the more traditional tapering cylindrical one – but I made do with forming it manually, with the hide mallet and with my fingers for the last adjustments.

In the book, Stephen has a tapered strip for ring sizing, which was perfect for sliding the ring along till the gap opened up wide enough for the stone to be positioned in the gap and seated in the drilled-out ends of the ring.  Not having a tapered strip, I looked around the house for a suitable replacement.  I found a softwood fork which came as a pack with wooden cooking spoons, the neck tapered down to the bottom of the handle and it was flat.  A quick minute of sawing the top part (with the prongs) off from the handle, and I was left with a pretty good alternative.

Before I set the stone, I filed off any fire-scale from the soldering (I decided not to pickle this piece as there was only minimal fire-scale) and polished with my rotary drill and abrasive-embedded silicon cylinders, to get a mirror shine.  The photos don’t show the polishing really well – it wasn’t till I was checking the photos out that I realised I had been handling the ring with mucky fingers (polishing does get the hands a bit black!) and had smudged the shine 😦

Setting the stone was easy, using Stephen’s technique and the finished ring looks amazing.  I think, in hindsight, I would make the ring more oval than it is, and also maybe use a stone with a flatter back (or keep it round and use a small stone which would only be as thick as the wire itself) so as to make it more comfortable to wear.

I’ve also now had an idea about making the ring so as to have another, complete band inside the first; so that the stone doesn’t touch the skin of the wearer.  I’ll have to do some sketches later.

Well, thank you to Stephen O’Keeffe for teaching me another new thing.  I can’t wait to see what I learn to do tomorrow.

cubic zirconia compression ring

“One-a-Day” Recycling Challenge – Day 18: My Own Cheshire Cat. UPDATE!

As I said yesterday, My boy Frodo is my own Cheshire cat and this brooch is based upon him. (Please check out the previous post for the details of how I made it.)  I’ve now done the photos and, even though I think I still need to do more polishing, here they are:

First is the design I came up with.  It was originally to have had a gold ring suspended from a loop at the back, so it looked like he was holding it.  This was because of both of his name (Frodo from Lord of the Rings with the One Ring) and because it could then be used as a brooch to hold spectacles when they’re not being worn (not my typical type of jewellery, but it was a work in progress sort of idea).

As you will see from the photo of the finished brooch (see below), I decided against adding the ring.  The brooch looked pretty enough without it; although if I make another one, I may add one to see how it would look in real life.

The photo doesn’t show very well that the silver contrasts beautifully against the copper.  I know I need to polish it more, but I am quite proud of how smiley this Cheshire cat looks – just like my Frodo.

Oh, and I promised I’d post a photo of my beautiful boy – so here he is:

Beautiful, isn’t he?